
"High Key Horn" - 1/60 f10 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Low Key Goddess" - 1/40 f4.0 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Front light horn" - 1/8 f8 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Side light cone" - 3.2 f9 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Back lighting cone" - .3sec f8 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Top light Goddess" - 1/30 f5 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Texture cone" - 3.2sec f14 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Concentrated light horn" - .3sec f8 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Diffused light horn" - 1sec f7.1 ISO 125 08-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley

"Light painting cone" - 2sec f10 ISO 160 07-November-2020_5 Lovett_Beverly MA_photo by Jayscott Crosley
I think a major hurdle in this assignment was the setup. I chose a sunny spot in my house and was all set to go when I had to fight shadows and the window grids. I finally discovered the section of the class video where Leonie said you can just tape the diffusion to the window that I realized that would take care of those lines and shadows. I did enjoy the problem-solving scavenger hunt to find everyday items to make into the lighting kit.
My favorite photograph is the last one which was the light painting. It's almost like opening a present when adjusting the white balance in Lightroom to see what the blue image becomes. It was very fun to be in the dark and play with the light! I like the way the light highlights the ends of the cone "leaves" in most of the picture and then dulls out towards the right.
I tried using the light meter app and had some luck with that, but mostly relied on spot metering for my images. I understood the concept of over or underexposing for the corresponding key, and tried a few shots with 2, 1.5, or 1 stop exposure adjustment.
This assignment was definitely a brain work out. It does show, however, the way lighting can change a whole scene and mood. Something to keep in mind for all shoots.